Plot summary[ edit ] Annie "Daisy" Miller and Frederick Winterbourne first meet in VeveySwitzerland, in a garden of the grand hotel,  where Winterbourne is allegedly vacationing from his studies an attachment to an older lady is rumoured. They are introduced by Randolph Miller, Daisy's nine-year-old brother. Randolph considers their hometown of Schenectady, New Yorkto be absolutely superior to all of Europe.
Remarking that the scene below is the most beautiful view in the world, the two ladies agree to spend the afternoon on the terrace.
Alida arranges with the waiter to permit them to stay until evening. They hear their daughters, Barbara Ansley and Jenny Slade, departing to spend the afternoon with two eligible young Italian men, and Grace remarks that the young women will probably return late, flying back by moonlight from Tarquinia.
It becomes evident at this point that Grace has a closer relationship with her daughter than Alida has with Jenny because Alida did not know where the girls were going. Also, Barbara remarks a bit ruefully to Jenny as the two of them depart that they are leaving their mothers with nothing much to do.
At that point, Alida broaches the subject of emotions by asking Grace if she thinks that their daughters are as sentimental, especially about moonlight, as they once were.
The two women sit silently for a while, thinking about their perceptions of each other. As she reflects, she also reveals the circumstances of the years since she first met Grace. Alida considered the Ansleys nullities, living exemplary but insufferably dull lives in an apartment directly across the street from the Slades in New York City.
She prided herself on the lively social life that she and Delphin enjoyed, and especially on her own skills as a hostess and a brilliant personality. Both women were widowed only a few months before the time of the story and have renewed Character analysis of roman fever friendship in the common bond of bereavement.
She wonders how the Ansleys could have produced such a vivid and charming daughter, when her own Jenny seems by comparison so dull. She recalls that Grace was exquisitely lovely in her youth as well as charming in a fragile, quiet way.
She reflects that she herself would probably be much more active and concerned if she had Barbara for a daughter. Grace, for her part, has a mental image of Alida as a brilliant woman, but one who is overimpressed by her own qualities. She remembers Alida as a vivid, dashing girl, much different from her pretty but somewhat mousy daughter.
As Grace Ansley knits, Alida Slade reflects that their own mothers must have had a worrisome task trying to keep them home safe despite the lure of the romantic evenings in Rome. Grace agrees, and Alida continues with speculations about the probability that Barbara will become engaged to the attractive, eligible young Roman pilot with whom she is spending the evening, along with Jenny and the second young man.
She tells Grace of her envy, stating that she cannot understand how the Ansleys had such a dynamic child while the Slades had such a quiet one. Alida recognizes in her own mind her envy, and also realizes that it began a long time ago.
As the sun sets, Alida recalls that Grace was susceptible to throat infections as a girl and was forced to be very careful about contracting Roman fever or pneumonia. Then she recalls a story of a great-aunt of Grace, who sent her sister on an errand to the Forum at night because the two sisters were in love with the same man, with the result that the unfortunate girl died of Roman fever.
Alida then reveals that she used a similar method to eliminate the competition she believed existed between herself and Grace when, as young women in Rome, they both were in love with Delphin Slade. Revealing her hatred further, she gloats about how she laughed that evening thinking about Grace waiting alone in the darkness outside the Colosseum, and how effective the ruse had been, for Grace had become ill and was bedridden for some weeks.
Grace is at first crushed to learn that the only letter that she ever received from Delphin was a fake, but she then turns the tables on Alida by assuring her that she had not waited alone that night. Delphin had made all the arrangements and was waiting for her.
Alida protests that she really had everything: In the final ironic epiphany, Grace simply replies that she had Barbara. Then she moves ahead of Alida toward the stairway. This battle of the two women for the integrity of their own status with respect to the man they both loved ends with the complete victory of the woman who has appeared to be the weak, passive creature.
She moves ahead because she is now dominant. Alida Slade is left only with the dismaying knowledge that she, in her attempt to be hateful and cruel, actually brought about the meeting that produced the lovely daughter she envies her friend having.Roman Fever by Edith Wharton In Roman Fever by Edith Wharton, is a story told in third person limited omniscient from the point-of-view of Alida Slade with brief passages from Grace Ansley’s point-of-view.
Literary Analysis – Roman Fever Focusing on the past never helps anyone move forward. This is apparent in Edith Warton’s “Roman Fever”. In this short story, two women reunite while one of the women is still holding a grudge from something that happened twenty years ago.
In "Roman Fever," Mrs. Ansley is a round, dynamic figure, whereas Mrs. Slade is round and flat. At the end of the story, Mrs.
Ansley asserts herself and takes the lead in the relationship. A static character does not change over the course of the story and fails to gain insight. Roman Fever's wiki: " Roman Fever " is a short story by American writer Edith Wharton.
It was first published in the magazine Liberty in , and was later included in Wharton's last short-story collection, The World Over.  Plot summary In t. Roman Fever Roman Fever" is an outstanding example of Edith Wharton's theme to express the subtle nuances of formal upper class society that cause change underneath the pretense of stability.
Wharton studied what actually made their common society tick, paying attention to unspoken signals, the histories of relationships, and seemingly. Social conditions – „„Roman Fever‟‟ was written in the s and is set in the s, but the story's characters and values reflect the attitudes of upper-class society in New York in .